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Ce-2 to CS-9

Started by Thewintersoldier, August 11, 2020, 10:08:48 PM

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Aentons

Quote from: Bio77 on August 14, 2020, 05:13:45 PM
I always thought the BC9 was just a bass voiced CS9.  It's interesting to learn different.
Yep, and to clarify... it's a single delay line with 2 oscillators, the A oscillator is faster and the B oscillator is supposedly the same as the CS9

Thewintersoldier

I didn't know the BC-9 was a thing before this. Learned something new again

Sent from my moto z4 using Tapatalk

Who the hell is Bucky?

Aentons

#17
A quick and dirty 9-series demo, including the BC9 and FL9.

https://photos.app.goo.gl/NvbXR55AWJEqwVXm6

Signal chain is:
2005 Gibson SG Standard
490R and 498T humbuckers (both on most of the time)
Ibanez AF9 > TS9DX +mode (modded) > SM9 > PT9 > FL9 > BC9 > Maxon DM01
Vox AC30CCH (Normal and TB blended)
Vox 2x12 Cab with Celestion Blues

...all recorded thru my phone camera and mic, sorry


I did notice that the A side of the BC9 seems to have a lot more range than the B side. B is much slower than I remembered.

Aentons

#18
I believe the BC9 evolved into all of these...

Maxon BC-01 Bi-Mode Chorus
Ibanez BCL Bi-Mode Chorus
Ibanez CCL Dual Chorus
Ibanez TC10 Twin Cam Chorus
Ibanez PC10 Prime Dual Chorus

Aentons

#19
Here is the schematic for the CCL / PC10 that have the extra switching and controls for the "B" flange side.

https://www.tonehome.de/app/download/8469374/Ibanez_PC10_Schematics.pdf

For these, it doesn't appear that you can have the A and B side on at the same time like the BC9/BC01/BCL/TC10

Scruffie

Quote from: Aentons on August 15, 2020, 01:37:20 AM
A quick and dirty 9-series demo, including the BC9 and FL9.

https://photos.app.goo.gl/NvbXR55AWJEqwVXm6

Signal chain is:
2005 Gibson SG Standard
490R and 498T humbuckers (both on most of the time)
Ibanez AF9 > TS9DX +mode (modded) > SM9 > PT9 > FL9 > BC9 > Maxon DM01
Vox AC30CCH (Normal and TB blended)
Vox 2x12 Cab with Celestion Blues

...all recorded thru my phone camera and mic, sorry


I did notice that the A side of the BC9 seems to have a lot more range than the B side. B is much slower than I remembered.
Somebody likes their Ibanez :)

Personally, I'm not keen on the mixed dual LFO sound on a single delay line chorus, something I've tried before and here it seems much the same, just sounds a bit messy and gets tiring to the ear quickly in practice compared to a proper Ensemble style chorus.

But I can't speak for everyone else's feelings on the matter.
Works at Lectric-FX

Aentons

#21
Quote from: Scruffie on August 16, 2020, 03:16:01 PM
Somebody likes their Ibanez :)
I do... It's the colors I think

Quote
Personally, I'm not keen on the mixed dual LFO sound on a single delay line chorus, something I've tried before and here it seems much the same, just sounds a bit messy and gets tiring to the ear quickly in practice compared to a proper Ensemble style chorus.

But I can't speak for everyone else's feelings on the matter.

I agree... The LFOs seem more like they are fighting rather than "adding complexity".

This is exactly why I pointed out the CCL / PC10  Chorus. It switches between the A and B sides rather than having them both on at the same time. It also has feedback"flange" and delay time controls on the B side.

Not sure how close it is to the CS9, just pointing out the evolutionary aspects of the available options that were added down the line.

Idk... Seems like a combined CS9/ FL9 to me

Bret608

Glad I looked back at this! The FL-9 sounds awesome...BC-9 is cool too but I am probably still partial to the CS-9. I too love the 9-series colors...your clip made me miss my old TS-9 and AD-9!  :(