Okay guys, I finally made it. Since it didn't make any sense to me to waste time with my 2nd CL board, I ordered a third one from madbean. I started from the very beginning with brand new resistors, capacitors, diodes and so on. I double-checked all parts before soldering and only kept the old transistors and ICs from my first and second board.
After soldering all parts the beast still had no wet signal (no flangering). I was somehow really dispaired big time. As I reported before I already built around 30 effects of all kind with success.
After a while a magic voice talked to me and said: "If you checked all new parts it has to be one of the old ones." So, I did the audio probe and the signal stopped at pin 7 & 8 again. I put the iron on all solder points around pin 7 & 8 and suddenly I heard a signal on pin 7 & 8. After following the trace to Q1 the signal died again. Finally, I had found had the suspect. I put in a new 2N3904 and ... it finally worked. This moment was better than ... you know what I mean (don't tell my wife :-)).
Now, I have the unbelievable flanging effect that Andy Summers is famous for. It really sounds like The Police. The only thing is, one can hear a little clock noise in the background. It's a little annoying when there's silence. I have a similar problem with madbean's Collosalus (Eddie Van Halen flanger sound).
How can background noise/ticking be eliminiated in these kind of projects? Any suggestions?
After soldering all parts the beast still had no wet signal (no flangering). I was somehow really dispaired big time. As I reported before I already built around 30 effects of all kind with success.
After a while a magic voice talked to me and said: "If you checked all new parts it has to be one of the old ones." So, I did the audio probe and the signal stopped at pin 7 & 8 again. I put the iron on all solder points around pin 7 & 8 and suddenly I heard a signal on pin 7 & 8. After following the trace to Q1 the signal died again. Finally, I had found had the suspect. I put in a new 2N3904 and ... it finally worked. This moment was better than ... you know what I mean (don't tell my wife :-)).
Now, I have the unbelievable flanging effect that Andy Summers is famous for. It really sounds like The Police. The only thing is, one can hear a little clock noise in the background. It's a little annoying when there's silence. I have a similar problem with madbean's Collosalus (Eddie Van Halen flanger sound).
How can background noise/ticking be eliminiated in these kind of projects? Any suggestions?