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I gotta make one.

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Photos should be working again now. Thanks for letting me know!

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That's a cool etch, the distressed look is great! Really like the design and layout you've used, winner all round!


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Thank you! I'm glad it's a circuit that kinda fits the distressed look because it was not a very successful etch. The reverse ones are hard since the reaction gets out of control so fast from a temperature standpoint!

Classy! And doomy!

Thanks!

Here's my latest build - a 1776 Effects Rub-a-Dub Reverb!



I've had this circuit built for a while, but only just boxed it up this week. My 5 year old boy did the artwork for it, and I love how it came out! Acryclic paints over a black powdercoated enclosure, clear coated with some Minwax water based polyurethane. Hopefully one day he can be rocking it, since he's already super into my guitars (and I have a Loog waiting for his birthday next week).

Great sounding simple little reverb, perfect for my little practice amp that doesn't have any on board!

That etch is awesome! I love the design, excellent work.

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Man, that etch is nice.

Appreciate it! I'm kinda glad the circuit fit a worn look, because if I'm honest I didn't have to try hard to get it. Good job I wasn't going for a pristine one here!

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Beautiful job!! I really love this inside and out.

Thanks!

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I built a Doombutter (Mid-Fi Clarinot) a few years back but didn't really put any effort into the enclosure. I found it tough remembering what the controls did without labels so I sold it and decided to build another with an etched enclosure this time. Both times I used Haberdasher's awesome etch of the Doombutter (thanks Keefe!).

I went with a worn-out looking etch to match the vibe of the circuit.

Such a fun circuit, and very musical and usable at the less-than-crazy settings!

I built a Doombutter (Mid-Fi Clarinot) a few years back but didn't really put any effort into the enclosure. I found it tough remembering what the controls did without labels so I sold it and decided to build another with an etched enclosure this time. Both times I used Haberdasher's awesome etch of the Doombutter (thanks Keefe!).

I went with a worn-out looking etch to match the vibe of the circuit.

Such a fun circuit, and very musical and usable at the less-than-crazy settings!








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I could throw in a few 15n in the mail to you if you want.

Thanks so much Brian! PM incoming.

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Do you have any 4n7s left over?  You could solder one with a 10n in parallel.

That's a good idea, but unfortunately I don't. Looks like we're placing another order. Thanks!

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I recently got a friend of mine into building, and he purchased a Woodstork and Mimik to get started with. Somehow we missed out the 15n caps for the Mimik on the parts order, but I have a handful of 10n caps; would these work for C5, C12, and C15 in the Mimik, or does he need to put in a new order for the 15n caps?

Thanks!

A recently got a friend of mine into building, and he purchased a Woodstork and Mimik to get started with. Somehow we missed out the 15n caps for the Mimik on the parts order, but I have a handful of 10n caps; would these work for C5, C12, and C15 in the Mimik, or does he need to put in a new order for the 15n caps?

Thanks!

Sent from my BND-L24 using Tapatalk

A recently got a friend of mine into building, and he purchased a Woodstork and Mimik to get started with. Somehow we missed out the 15n caps for the Mimik on the parts order, but I have a handful of 10n caps; would these work for C5, C12, and C15 in the Mimik, or does he need to put in a new order for the 15n caps?

Thanks!

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