As promised, here is fix for ver.1 of the Deadringer. When I constructed the original schematic, I inadvertently reversed the order of some things, and had at least one portion routed incorrectly. Additionally, there were three incorrect values listed. My apologies for these errors. I was too hasty in releasing it, and while I thought I had worked it out correctly (I did prototype the build, of course) it appears I wasn't paying enough attention.
The value corrections are as follows:
C9 = 10n (orig. 1n)
C4 = 51pF (orig. 100pF)
R15 = 150k (orig. 510k)
Of these three value changes, C9 is the most critical. If you have a ver.1 board, you can probably get away with only changing this value. But, you can change all three, too, if you want to take the time.
Following is a diagram that I believe corrects the wiring situation. My test results with the version 1 build seem to confirm this. The Flat Mids mode is subtle, however this is due to having the incorrect value for C9 (it shold be 10n, not 1n) on my build. When placing another higher valued cap along with C9, the change was much more pronounced.
A brief explanation of how all these clipping choices work: the mos/sil switch (SPDT) does exactly as it indicates. It changes between the Mosfet and Silicon diode clipping in the feedback loop of the opamp. The top position of the 3-way DPDT lets you select compression cut, flat mids and vintage mode. In CC mode, the diodes are actually disconnected, meaning that clipping comes directly via the opamp - not the diodes. This is a much harsher type of clipping, although it can sound very open when the gain is dialed back.
In FM mode, C9 and R13 are placed in parallel with the tone control, thereby altering the frequency roll-off point. It essentially serves to counteract the tone control to make it less severe. Finally, in VIN mode, you have the traditional clipping of a gerenic TS: diode clipping, and the regular active first order tone control.
The Boost mode simply puts a 1M variable resistor in series with the drive control, thereby increasing the overall gain and 'scorching' the diodes a bit more. It has the most impact when the drive control is around half-way or less - this is where you will find the biggest difference in the added gain. In this sense, it's not a boost at all, but rather a "more" option.
On the wiring diagram, you will need to connect the S1, S2 and S4 pads to an On-On-On dpdt (available from smallbear) and run one additional wire from the DPDT to the 3PDT used for the 'boost' option. This should correct the previous wiring/routing errors. S3 should not be connected to anything.
One additional note: looking at a few pics of the insides of the latest FD-2 version, I noticed there is a small change with the clipping setup. It looks like Fuller altered the back-to-back 1N4005/1n914 diodes. The newest change appears to be swapping the 1n914 for two 1n4005 in series. So, following the Deadringer schematic, you would leave D1 the same, but in place of D2 you would solder two more 1n4005's in series. This preserves the asymmetrical type clipping of the previous version, but increases the overall forward voltage with the two new diodes in series. Hence, his description of a more 'open' sound. So, this is technically an additional correction to both ver.1 AND ver.2 of the Deadringer.
Sorry for the long winded post - I thought some of this additional info might shed some light on the design of the pedal. Diagram is attached below.
[attachment deleted by admin]
The value corrections are as follows:
C9 = 10n (orig. 1n)
C4 = 51pF (orig. 100pF)
R15 = 150k (orig. 510k)
Of these three value changes, C9 is the most critical. If you have a ver.1 board, you can probably get away with only changing this value. But, you can change all three, too, if you want to take the time.
Following is a diagram that I believe corrects the wiring situation. My test results with the version 1 build seem to confirm this. The Flat Mids mode is subtle, however this is due to having the incorrect value for C9 (it shold be 10n, not 1n) on my build. When placing another higher valued cap along with C9, the change was much more pronounced.
A brief explanation of how all these clipping choices work: the mos/sil switch (SPDT) does exactly as it indicates. It changes between the Mosfet and Silicon diode clipping in the feedback loop of the opamp. The top position of the 3-way DPDT lets you select compression cut, flat mids and vintage mode. In CC mode, the diodes are actually disconnected, meaning that clipping comes directly via the opamp - not the diodes. This is a much harsher type of clipping, although it can sound very open when the gain is dialed back.
In FM mode, C9 and R13 are placed in parallel with the tone control, thereby altering the frequency roll-off point. It essentially serves to counteract the tone control to make it less severe. Finally, in VIN mode, you have the traditional clipping of a gerenic TS: diode clipping, and the regular active first order tone control.
The Boost mode simply puts a 1M variable resistor in series with the drive control, thereby increasing the overall gain and 'scorching' the diodes a bit more. It has the most impact when the drive control is around half-way or less - this is where you will find the biggest difference in the added gain. In this sense, it's not a boost at all, but rather a "more" option.
On the wiring diagram, you will need to connect the S1, S2 and S4 pads to an On-On-On dpdt (available from smallbear) and run one additional wire from the DPDT to the 3PDT used for the 'boost' option. This should correct the previous wiring/routing errors. S3 should not be connected to anything.
One additional note: looking at a few pics of the insides of the latest FD-2 version, I noticed there is a small change with the clipping setup. It looks like Fuller altered the back-to-back 1N4005/1n914 diodes. The newest change appears to be swapping the 1n914 for two 1n4005 in series. So, following the Deadringer schematic, you would leave D1 the same, but in place of D2 you would solder two more 1n4005's in series. This preserves the asymmetrical type clipping of the previous version, but increases the overall forward voltage with the two new diodes in series. Hence, his description of a more 'open' sound. So, this is technically an additional correction to both ver.1 AND ver.2 of the Deadringer.
Sorry for the long winded post - I thought some of this additional info might shed some light on the design of the pedal. Diagram is attached below.
[attachment deleted by admin]